Monday, September 20, 2010

Abstracted Cloudscape #15: redux

Here is my latest (and maybe last, for a bit) abstracted cloudscape.   It's actually a completely new version of #9.  Different palette and different approach, although it's still not exactly what I was hoping for.  What prompted me to redo it was an experiment, of sorts - I had some square cut papers for this series sitting on my studio table, which is a beautiful walnut inlay of Danish modern design.  In this dry climate, it needs to be oiled periodically to keep the wood from drying out.  Apparently, I'd neglected to wipe off the excess Old English oil, and although the table looked and felt completely dry, some small spots of oil had spread onto the bottom sheet of paper.

Wondering if this would ruin the paper for painting, I decided this would be a good two-way experiment to see if the oil would soak through the pastels and show on the paper and re-do the earlier piece.

abstracted cloudscape #15 - approaching sunset, #2
12x12 inches
Strathmore 500-series paper (dark blue)

For this, I used blues that were slightly grayer/warmer than the previous version (which can be seen by panning down the page a bit).  I got rid of the pinks and peaches and stuck with yellows and gray-muaves.  I also tried to improve the composition a bit by spreading the clouds out.  And tried to keep it looser with minimal finger blending.  I like it better than v.1.

I am itching to get back to some landscapes, and also want to start working in oils.  I have two small pieces, one in oils, one in pastels, that are completed as I write this.  I'll probably post those tomorrow.  My goal now is to work on doing at least 100 oil paintings, and to complete at least 2-3 pieces per day, in oils and/or pastel.  




Friday, September 17, 2010

Abstracted cloudscapes #13 & 14

Two more, finished yesterday.  I find myself going back and forth between the higher-chroma sunsets and the afternoon skies with lots of grays.   For me, each of these are a chance to really study and explore the clouds, and I learn much with each painting.  In contrast to plein air painting, where the eye sees the true colors and subtle nuances within the shadows that cameras often miss, it seems to be the opposite with clouds.  As much time as I spend observing them in life, either from my deck or along hikes, they simply change too quickly to always remember the subtle things.

My camera, however, does capture those ephemeral details, often missed otherwise, especially with a limited dynamic range.   When cropped to an unusually close-up view, they become quite visible.  And add to my never-ending fascination with them.  Whether I'm able to actually capture those details accurately, artistically, in my paintings is a different matter.  But, I try.

abstracted cloudscape #13 - cumulus, shadow & light
12x12 inches
Strathmore 500-series paper

This is perhaps one of my favorites to date.  Based on a photo taken the day after winter officially began,  these clouds were part of a winter storm that produced no rain or snow, but lots of wind and a series of photos that are amongst my favorite taken while down in Bisbee.  This crop is a transition between clouds mostly in dark shadow and those in the sun, which I chose to show the range of values.  The sun is at its lowest point in the sky, to the south, in mid-afternoon.  The small canyon and ranch below was in deep shadow.


abstracted cloudscape #14 - cumulus, luminescing
12x12 inches
Strathmore 500-series paper

Here is an example of the cloud detail I mentioned in the second paragraph above.  It was of a recent photo of a late afternoon cloud from my deck, as I waited for sunset.  The location of the sun is clear; it forms a bright, crisp edge along the cloud.  It's the inner part of the cloud were things got interesting - clouds within clouds, casting shadows and reflecting light.  Blues from the sky superimposed on the colorful purple and pink grays of the cloud vapors, looking almost like a Tiffany lamp.  The base holds on to its deep purples and blues.





Thursday, September 16, 2010

Abstracted Cloudscapes #11 & 12

I had planned to post these yesterday, but we had a guest visit, so no time to take photos.  I'm still on a roll with these, even though some definitely turn out better than others, and at times, it seems as though I keep running into the same wall [of problems].

abstracted cloudscape #11 - crescent moon afternoon
12 x 12 inches
Strathmore 500-series paper

This is the crescent moon, as seen in late afternoon from my deck, on Sept. 12.  Scattered clouds were drifting by to the south where it slowly tracked across the sky, often obscuring it.  I sat and waited with my camera until it came into view and was framed by the clouds.   My goal here was to capture the precise, perfect shape of the moon and its very well-definied edges with the amorphous clouds surrounding it.  It looks much better in person, and I was rather happy with it.


abstracted cloudscape #12 - cirrus sunset
12 x 12 inches
Strathmore 500-series paper

On the other hand...this piece I'm not at all happy with.  But, I resisted the urge to throw it directly into the trash without posting it here.  Despite my best efforts to capture the loose, sweeping feel of the clouds, they still look stiff and contrived.  Even the colors aren't what I was after - too light in areas.  It reminds me of a child's scribble painting.  But, it certainly qualifies as an abstract.  It's a shame, because these clouds create the most brilliant, beautiful sunsets as the light passes through their ice crystal forms, and I'd love to be able to capture that.  Perhaps this is another piece best suited for oils.  


Monday, September 13, 2010

Abstracted Cloudscape #10

Here is #10, another that almost went into the trash earlier today.  I realized what part of the problem is when I'm having issues with placement and scale of the clouds, and that it has to do with the position of how I paint:  flat on the table.  I have two easels - a French-styled wooden easel for plein air painting, and a cheap-o studio tripod deal that I bought so many years ago I can't remember where or when.  There's no room to set up either of them in the living room where my studio is, so I've just been working flat.

I have observed that when I prop the painting up against the wall to compare it to the reference, there's almost always something that is off, despite my measurement efforts.  Obviously, the solution is to paint upright.  So, I ran down to the nearby Walmart, and got a $10 table easel that can hold canvases up to 12" high.  It is perfect for small paintings, and I came back and re-worked this painting so that I'm satisfied with it.

abstracted cloudscape #10 - cumulonimbus, resolving
12 x12 inches
Strathmore 500-series paper (blue)

This is another based on that magical time of day in the late afternoon, right before sunset.  Color starts to first hit the lower level clouds on the bottom, and the dense, lower-level cloud surfaces away from the sun are already in shadow.  A storm has come, left its payload of rain, and now absorbs back into the atmosphere from which it came, surrounded by its small, scattered accessory clouds.  The anvil of the thunderhead still retains its basic shape, but the abrupt edges now fade to windblown waveforms that melt into the sky.  


Sunday, September 12, 2010

Abstracted Cloudscapes #8 & 9

Two more.  Number 8 was completed yesterday.  I think I used a total of 6 colors, and each was selected for value vs. specific color.  Clouds, especially these billowy cumulus congestus have subtle changes in value, but in order to capture the volume and luminescence, you need to look carefully where those shadows occur.  I'm not always able to reproduce what I see exactly the way I want, but I keep working at it.

abstracted cloudscape #8 - cumulus congestus
12 x12 inches
Strathmore 400-series paper

I am pleased that with this piece, I successfully resisted any finger blending to it.  Scumbling and varying pressures of the pastels.  I think it may also be getting a bit easier to work on the Strathmore paper as far as layering goes.  


abstracted cloudscape #9 - approaching sunset
12 x12 inches
Strathmore 400-series paper

I worked on this piece late yesterday afternoon and early evening.  I tried a different technique for it, starting with placements of the lightest colors and gradually working around them.  It seemed to be working okay.  This morning, I looked at the painting in natural daylight and the colors were...awful.  The dark blue was too warm and not bright enough and what I'd thought were light oranges were garish and all wrong.  I just pulled it off the board and tossed it immediately.  But, figuring that I had nothing to lose, I sat down and decided to rework it, just to see if I could.  It's sort of a smudgy mess, but I did end up fixing the actual colors a bit more, and I'm posting it anyway, funk and all.  The values, however, are a bit off.  I really liked the photo this was based on, so I may revisit it at some point in the future...maybe with oils.  I definitely see that doing these sweeping clouds with soft or lost edges is a weak point for me, vs. the cumulus.  If I keep pounding away at them, and trying new techniques, perhaps I'll have one of those "ah-ha" moments.  

Those moments are probably one of the best things about being an artist, and the best part is that they never stop.  Unlike my original chosen career, where I got as good as I ever was going to with those skills, as an artist, that won't happen.  

It reminds me of a quote by Atul Gawande, MD, in his wonderful book Better :  "Betterment is a perpetual labor."   That certainly applies to artists as well.







Saturday, September 11, 2010

Abstracted Cloudscapes #6 & 7

Back in the painting groove again after our trip, and here are the latest two in the abstracted cloudscape series.

Both are on Strathmore 400-series pastel paper.  I was beginning to run low on my existing pad, so I went down to our local art store.  Apparently, they don't carry the 400-series pastel paper in 12x18" anymore, so I bought some 500-series tinted charcoal paper.  We'll see how that goes when I switch to it.  I like the paper simply because it's pretty inexpensive and so I don't worry about wasting it.  It accepts blending and layering much better than Canson M-T, but because its tooth is limited, it does force one to be a bit more judicious with pastel placement.

abstracted cloudscape series #6 - desert cirrus sunrise
12 x 12 inches

I did this painting yesterday afternoon, under less than optimal lighting conditions.  My studio table, which is in our living room, has a west-facing window.  When I have my computer monitor on to view the reference image, the afternoon light often causes the true colors and subtle nuances to be obscured.  So, this morning, when I came down and looked at it, it needed color adjustments.  Setting the painting aside for hours, or a day, is hugely helpful to see these and other discrepancies that were overlooked during the painting process.  


abstracted cloudscape #7 - sunset salute
12 x 12 inches
SOLD

Another high-chroma sunset.  This was done on rust-colored paper, about the same as the orange/rust colors in the clouds.  I am having trouble resisting the urge to finger blend these paintings, and while it does give a soft look to parts, at other times, it makes the piece look overworked.  I'm still trying to figure out the best way to approach the blocking in of clouds like these, where there are areas of multiple colored clouds that have smudges or tiny patches of blue sky showing through.  And, I've also found that despite the usual rules of pastel painting - light over dark - this doesn't always work so well.  Laying yellow over the darker mauves and purples often results in an ugly dulled color.  

I need to resist the urge to finger blend on some of these, even if paper shows through, and see how I like it.

Oh - a milestone here:  #6 makes the 100th pastel painting I've completed to date since I started painting last fall.  I suppose now I can officially call myself an "artist" now :).   






Friday, September 10, 2010

Labor Day trip to north rim of GCNP- Part II: the Canyon

The north rim of the Grand Canyon differs from the south rim in several ways.  For one thing, only about 10% of the visitors to GCNP go to the north rim,  making it much less congested.  The elevation is also about 1000' higher than the south rim, resulting in views that allow one to almost look down upon the distal horizon.  The reason for this is the series of faults and the east Kaibab monocline that produced the Canyon:  the earth rose and the water cut a channel through the sedimentary layers along the fault line.  Side canyons formed as water found its way to lower points, causing more rapid erosion.  There probably remains some debate amongst geologists, but I believe it is generally accepted that the Canyon itself is about 5-6 million years in age.   It averages 10 miles across,  a mile deep, and is 277 miles in length.  The rocks that form it span in age from 245-1700 million years [1.7 billion].    Simply put, the magnitude and scope make it hard not to be impressed.

We arrived at Timp Pt. around 5:30, AZ time, on Friday afternoon.  Monsoon season was either over or was on a brief hiatus, so there were no concerns about rain.  In fact, it was a cloudless day for most of the drive, which is always less than optimal when hoping to get some great photos.   However, clouds had appeared to the west as we drove, and some lingered over the canyon itself that evening.

We secured a campsite, but after taking a walk down the road, discovered that the next site over actually had a better view (a plus for me, as I had planned to paint, and wasn't keen on hauling my pastels and easel out 1/2 mile to the other vista we found).  So, we relocated our gear, just as the sun was setting.

Sunset at Timp Pt.

This was the view about 20' from our campsite.   The view is to the south and slightly west.  Not a high-drama sunset that can often be seen at the south rim due to the direction of the light, but this instills a sense of calm, I think.  There was a lot of haze in the Canyon, either from Las Vegas or dust particulates from the dry air and wind.




Mid-morning light
Because of the haze and lack of clouds, I didn't end up taking that many photos, or at least with the intent that they turn out "photo-worthy".    But,  you can't come to the Grand Canyon and not take at least some photos to remember the stay, so here is one.

The western edge of Powell Plateau is seen to the left, connected by a saddle to Steamboat Mtn.  The Colorado river is on the distal side, running between the sets of reddish cliff sets.  The Havasupi reservation is on the south rim.

Saturday was "do your own thing" day; Wayne went on a hike along the Rainbow Rim trail, Dave and Eva took their mountain bikes along the same trail, and I attempted to paint.  I had earlier cased out the prime location for setting up an easel, and thought I'd be able to do at least a few paintings.  But, it ended up being quite hot, and instead of setting up the easel in the sun, I pulled a chair over and painted in the shade.  Because it was so difficult for me to narrow down a composition sitting there, I ended up using a photo and sketching the basic shapes in from the thumbnail view, and then working from the view.

The painting isn't posted because it got pretty significantly smeared when it was taken out of the car after we got back.  I may try to fix it, but haven't had the desire to thus far.  It suffered from the limitations of my pastel palette, although as with the previous plein air paintings, it was a valuable process nonetheless.

On Sunday, our group decided to go hike along a different portion of the Rainbow Rim trail.  This trail, which starts at Timp Pt. and ends at Parissawampitts Pt., is 18 miles in length, one way.  It's a multi-use single track trail open to any non-motorized form of transportation.  It follows the contour of the rim, much of which requires long cut-backs through the forest in order to cross the drainages to the side canyons before they become impassable cliffs...

We drove out to North Timp Pt., and before we knew it, we'd decided to go all the way to Locust Pt., 6.5 miles away.  None of us were planning such an ambitious hike, but given that the trail was essentially level with minor changes in elevation, and in shade much of the way, it didn't take on Death March proportions.

View approaching Locust Pt.


We had to hike 6 miles through the forest before the rim came into view again.  N. Timp Pt. is immediately to the left.  Steamboat Mtn. is above it to the left.
The gray-white cliff formation is Coconino sandstone, which overlays the dark red Hermit formation.  In this part of the canyon, the Hermit is frequently covered with vegetation.

Eva, Dave and Wayne at Locust Pt.
Everyone is happy that we made it and can now turn around and hike the 6.5 miles back to the car.  North Timp Pt, and the location of our car, is right above Eva's right shoulder.

It's easy to underestimate distances and scale in the Canyon; it is probably less than a mile as the crow flies, but impossible to get to without a hike of several miles.


The hike back:  Ponderosas and a view
I opted to take photos of the trail on the way back.  Better lighting and a more leisurely pace.

This is looking back towards Locust Pt., showing the hint of the rim ahead, and the beautiful ponderosa pines.




Through the aspens...

This is heading back to N. Timp.  We are still on the north side of the drainage heading east, well before cutting back across the draw.  The trail heads through this lovely stand of aspen before dropping down on its approach towards the cutback part of the trail.






...and a grassy meadow
After the trail drops down from the N. Timp Pt. ridge, it enters the draw - a beautiful grassy meadow with aspen, fir and pine.




After another ~3 1/2 miles or so, we are back at N. Timp Pt.  Dave and Eva had powered through the hike without stopping, having been a bit low on water.  It was after 4 p.m., and the light was turning the Canyon into a series of silhouetted shapes, ever fading as they disappeared into the western horizon.


N. Timp Pt. pano

What is car camping with friends all about?  Hikes like these, sitting around a campfire each night after a hot meal, and of course, drinking beer.  No one came unprepared, and especially after a 13 mile hike, cold beer sounded like an excellent idea.    Here is the informal "beer tree" or "beer shrine" that was going at the campsite.  It looks rather white trash until you realize there is no Coors,  Old Milwaukee, or Budweiser, or cans - just Ska microbrews and some Sam Adams and Full Sail Pale Ale:  the Good Stuff.  The spontaneous placement of the bottles in this common location appealed to our artistic aesthetics (and sense of humor), so it had to be captured on digital film before the bottles were collected prior to our departure.  


Sunrise at Timp Pt.


Due in part to both early morning insomnia and my motivation to actually get up and out of the tent for the 1/2 mile walk down a spur trail off of the Rainbow Rim trail to the actual Timp Pt, I did manage some sunrise photos.

There is something special about sitting on the rim of the Canyon before sunrise and watching as those first rays hit the far edges of the rim and then sweep across the depths, casting shadows here and there on the buttes and canyons.  It was quiet, save for some small birds that were diving and cavorting through the otherwise still air.   As much as I'd like to be, I'm not much of a morning person.  So, being able to actually get up and watch the sunrise (around 5:45 a.m.) was a treat.  Dave, an accomplished photographer, had gotten up the morning before to shoot sunrise photos, so that also helped motivate me to get up.

Light across points and plateaus
In this telephoto view to the southeast, Stina Pt. remains in shadow, while the upper sandstone cliffs of Powell Plateau receive early morning light.  A small, distal triangle of the south rim falls between. The elevation drop between north rim (of which Powell Plateau is part of) and the south rim is evident in this photo.




So, after a wonderful weekend enjoying the tranquil beauty of the north rim with friends, we packed up and headed home on Monday morning.

Hmm...just realized it is Friday already!  Sky Friday posts to resume next week.
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