Showing posts with label La Plata Mountains. Show all posts
Showing posts with label La Plata Mountains. Show all posts

Tuesday, October 23, 2012

Fall Colors, and studio skies - pastel landscapes

The Green Shed - 12x12"
 pastel on black cardstock
Saturday afternoon's painting, from one of my favorite locations along the river, which of course, isn't visible in this piece.  Each year at this time, I'm reminded of what a fleeting season fall is, or at least as it pertains to fall color and painting.  

The cottonwoods, both narrow leaf, and Fremont, are rapidly fading and dumping their leaves, and I am sort of bummed I wasn't able to make the most of this season.  But, it was peaking in the high country when we were in Escalante, and here in town when we were in Moab, so I can at least bandy that around as an excuse, right?

I had plans to go up to Baker's Bridge and paint there, which I did last year around this time, but I think the window for that is shut; tomorrow, the 4C group has a paint-out in northern NM, and after that, the temperatures are supposed to drop precipitously as the storm hitting CA moves east to our region.  By the time things warm up again, no color will likely remain anywhere in our area.

Here's a small piece I did during the 4CPAP's recent outing the Wildflower Ranch in La Plata Canyon a couple of weeks ago.  This paint-out fell between the Escalante and Moab trips, and was the only painting I got done that week. The larger morning piece, of aspen, I worked on for about two hours before deciding I didn't like the direction it was going, and became bored with it.  I know from experience that it's best to just quit and move on, rather than keep pounding away at it, hoping I can make it work.  This was done after lunch, about 1/2 mile down the road on this property, and the first "keeper" painting I've done of the La Plata river.

Cottonwood Shadows Across the La Plata
8x6", pastel on black paper
And, finally - two studio pieces, small, both done for this week's DailyPaintworks challenge - "The Sky's the Challenge". 

Both reminded me that painting skies/clouds is always a challenge, and that I find it increasingly difficult to work from photographs, probably because it is so easy to overwork the clouds.  You just don't that as an option when painting them in real time.

Burr Trail Sunset - 9x12"
pastel on Strathmore 400-series paper

Monsoon on the Mesa - 6x12"
pastel on black cardstock

Monday, April 2, 2012

La Platas from a new perspective, plein air, pastel

Here's Friday's painting, finally finished up in the studio...

La Plata Reflections - plein air
12x16 inches, pastel on black Artagain
© 2012, S.Johnson
This past Friday was the first paint-out for the informal group of plein air painters that I went out with a few times last year.  Alice is the one who manages the email list for the group, and she suggested a location - Pastorias SWA - as a location to paint.

I'd never heard of this area, located on Florida Mesa southeast of town, but Wayne had, and said it had a lake associated with it.  That was pretty much all I needed to hear, and I was sold.  What I didn't realize is what a fantastic view of the La Plata Mountains we'd have.

There was enough of a breeze to break up the reflections on the lake for most of the time we painted, but I did want to put them in, so I waited until they showed up, albeit it briefly, and tried to block them in quickly.  I ended up reworking them quite a bit today when I finally had time to sit down and paint; this painting ran the risk of being over-worked, and while I could keep tinkering with the reflections probably indefinitely, there came a point where I decided to just stop before it got to the point of no return.

There were a total of six at Pastorias, and four of us ended up painting at the same location on the east side of the lake.   In addition to the general camaraderie of painting with a group, I really appreciate that I can get immediate input regarding the in-progress painting, and suggestions.

Here are some pics of our painting "quartet":


my pastel in-progress


Sue's watercolor 
Rosemary's pastel

Alice's watercolor


Wednesday, September 28, 2011

Fall in La Plata - plein air, pastel

Fall Along La Plata Canyon Rd
12x16 inches - pastel on black Artagain
© 2011, S.Johnson
During fall color season, the PAP4C group meets weekly for paint-outs.  Today was a return to La Plata Canyon, which is about 10 miles west of town.  The first paint-out I did with the group was in the same area, although on a private ranch, back in mid-June.  Those paintings can be seen here.


Today was another of those "easy to find a location" paint-outs, right along the side of the road.  I've taken photos in this location before, in different seasons, and even before I lived here.   The huge Fremont cottonwood made an easy center of interest, and the slope directly behind was covered with scrub oak in their range of rusts and crimson reds.   Patches of aspen on the base of the mountains show some color.

I didn't get photos of the rest of the group's paintings today, but I had a funny thing happen while I was painting:  A car with two older couples visiting from Germany stopped, and they all came over to see my painting and ask me questions, like where I lived, and where was my work for sale, etc.  And, for whatever reason, they wanted to take photos of me standing next to my easel.  And, they took several photos of the painting itself, which was about 85% finished at that time.  Yes, my painting and I became an international tourist photo prop.  The straw cowboy hat I wear when painting probably added to the "wild west" image of everything - ha!

I don't know what it is, but for some reason, people feel compelled to actually *touch* the pastels.  They never ask; they just touch one of them, and lo and behold - they get "chalk dust" on their fingertip.  Thankfully, that's only happened one other time, but it's sort of amusing.  

At any rate, they were friendly and polite and I offered to take their photos with essentially the same view I was painting in the background, and they were delighted.  The woman who spoke the most English wished me the best of luck for all my paintings, and then at my suggestion, they headed up the highway to Durango.

Saturday, September 3, 2011

Chamisa landscape, pastel - SOLD

Chamisa Along the Wash - SOLD
9x12 inches - pastel on Strathmore 500-series paper
© 2011, SJohnson
Chamisa, also known as rabbitbrush, is to the southwestern plateau country what Goldenrod is to the east:  the bright yellow flower that rings in fall.  Several species inhabit the Colorado Plateau region, some of which are non-native.  However, it is an attractive plant and is popular with artists who paint the southwestern landscape.

I've taken several reference photos of blooming chamisa along the lower area hikes I've done recently, including the one this photo is based on - an unnamed trail near the Dry Fork area west of town.

I've run out of my favorite black Strathmore 12x12" paper (and apparently, it is discontinued), so I've resorted to using some Strathmore charcoal paper I've used until I can get a pad of the 12x18" Artagain.  It has a laid surface, which I don't care for, but for some reason, I've found it easier to use with these recent paintings.  I used the #220 sandpaper on the smoother surface of this warm gray sheet, and it seemed to work out well.

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Some photos from that same hike, which was mostly intended as a butterfly outing:

Melissa Blue male on chamisa flower

A bee fly visits a late summer aster (Eurybia glauca)
A view of the meadow to the north along the trail
When I did this hike the first time in late June, the meadow was filled with lupine in bloom, and was a lush green.
This area made me a bit nervous due to evidence bears had been in the area (several piles of scat on the trail, and flattened bushes.  Thankfully, I didn't have an encounter with one.

A female Melissa Blue shows off her beautiful top colors while resting on the spent leaf of a Western Flag iris





Wednesday, August 24, 2011

Painting in the Pine River Valley - Four Corners Plein Air

So a week has passed since my last post...not really sure where the time has gone, but it took that long to get back in the groove of painting, I guess.   My sole excursion outdoors last week did net an unfinished painting, but it's not one I'm likely to bring to any conclusion.  Add to that an alarming wind gust out of nowhere that produced a wind vortex over the river (it was essentially a dust devil over water) less than 30 feet from my easel was so unnerving that I couldn't finish on location if I wanted to.

Today was the biweekly paint-out for the 4CPAP group, and I decided that I would go and that perhaps I could get my mojo back.
Late Summer in the Pine River Valley
12x12 inches - pastel on black Strathmore
© 2011, S.Johnson

Location was well east of Durango, on a huge private ranch located in an area known as the Pine River Valley.  East of Vallecito Lake, along a FS road and tucked away from civilization, it's incredibly scenic.     The granite peaks and valley layout have tones of the Sierras.

It took me probably 20 minutes to settle on a location to paint.  Not only from being overwhelmed with choices, but at the time we arrived at this location, it was in full shade, which I found unappealing to paint.  Despite the presence of a charming little creek running right near the road, I decided that I'd beg off painting water for a bit, and decided to paint this mountain peak.   As is often the case, the dirt road clinched the deal.  The slope to the right was in full shadow, as was the left side of the granite peak.

Monsoon season is still in full throttle here in southwestern CO, and while the sky was initially clear when I set up, clouds soon started developing, and I couldn't resist adding some.  

What the sky looked like around 12:30 PM - yikes!
Thankfully, I was finished by this time

As usual, the group offered up some good suggestions during the critique session, so I came home and made a few adjustments and reworked the blue spruce trees in the middle ground, added some more yellow to the foreground grasses, and called it done.

A few more photos taken from the area where many of us painted:








Friday, August 12, 2011

Ice Lake - a hike in photos

No painting yesterday, and while I'd originally planned to go out with the Friday plein air painters to La Plata Canyon, between getting up too late and the self-imposed beating I took yesterday, that didn't happen.

So, instead, I thought I'd share some of the photos I took on yesterdays hike, where we took advantage of a [supposed] break in the monsoons to hit one of the most scenic locations in the San Juans:  Ice Lake.

We've done this hike twice before, but only once have reached the destination of upper Ice Lake itself.  Nestled up high in the mountainous basin west of Silverton, it's a hugely popular day hike and backpacking destination for locals and photographers.

As it seems with so many things, the best things never comes easily, and that's quite apropos for this hike, where the spectacular views are proportional to the degree of difficulty required to obtain them.  With a trailhead elevation of 9,900', it gets serious right out of the blocks, with 2,400' of elevation gain in 3.5 miles  to the first money shot:

Ice Lake - 2-part pano
Yes, the lake is really this color

Wildflowers at alpine tundra elevations are right at the cusp of peak season, so I brought my tripod and both lenses along for this hike rather than the plein air get-up.  It requires much more mental energy and concentration to paint rather than set up and take photos.

Getting there is not easy, but scenic the entire way as it passes through forested sections of fir and spruce (the aspen are left behind within the first 1/2 mile or so), and open meadows.

Every hike I take, I obtain several photos of the view along the trail itself - the light and shadow patterns and trees full of character never get old.  It's hard to just choose one for these blog posts.

[This is for Dan]

I keep speaking of a series of trail paintings, and it's a certainty I'll never run out of reference material.








At timberline elevations, larkspur, monkshood and these tall white flowers are abundant.

The huge boulders of what appears to be a mix of conglomerate (rock composed of smaller rocks of older and different compositions and origins) and what appears to be volcanic basalt deposition are scattered in the meadows.





Perennial waterfalls are found all along the hike, cascading down through the dark rock and occasionally making crossings difficult.

The pale slopes - mine tailings - are a testament to the history of this area as mining country.  The main creek that enters Silverton from this area - Mineral creek - still carries heavy metal contaminates from these old tailings.  The water is crystal clear...and is devoid of all life.














I've been on a major butterfly photographing kick this summer, and never pass up the opportunity to get a good photo of these colorful and beautiful creatures.

With the unfortunate closing of Borders, I was able to get Kaufman's field guide to North American butterflies at a great price, which helps to identify this male Shasta Blue.  He is very small - about 1" wingspan.

Patience, persistence, practice, location and luck, along with a telephoto lens are what you need to shoot members of the Lepidoptera order.









The final ascent of the trail climbs a particularly rough section of cliff and broken rock, and on the trail map, has the black diamond classification.  Llamas and dogs can follow it, but horses will be turned back.

This is the final 200-300 yards, out of the somewhat exposed and most treacherous part of the trail, and as you are hiking, you wonder if the unrelenting trail ever ends and if the lake or the promised views really do exist...















...and then you see this:

Colorful wildflowers explode on the tundra of the basin, and the eastern side of Yellow Mountain is visible; time to swap out the telephoto lens for the regular zoom.

But, it gets better as the deep turquoise blue lake comes into view.

By this time, clouds are building up and to my dismay, I hear some thunder off to the south.  However, there is no lightning and to the north and east the skies are still relatively clear...at least for the moment.

So, after taking a break and getting some photos of lower Ice Lake, we decide to push it and head up to the next basin level.

A cluster of beautiful blue columbine sets off the foreground of this photo of a smaller lake and the Yellow Mountains.







This was amazing, and I used my tripod with the aperture stopped down to f/20 for maximum depth of field.

It's one of my favorite of the "money shots".










pano shot of the upper and lower lakes - what a view!


A beautiful stream surrounded by Parry's Primrose and Marsh Marigold (both of which disappeared from lower elevations about 5 weeks ago) make their appearance.











Large boulder erratics sit atop the highest basin below the mountains.  View is to the east and shows the ominous dark clouds that sent us heading back soon after.











The old miner's cabin near the upper most lake.















After hearing more thunder, we decided not to push our luck any more than we had already, and quickly beat it back down the trail, hoping to escape any torrential downpour and possible lightning.

It did start to sprinkle, but stopped after we dropped below the lower Ice Lake.

This is the view of the timberline meadow below the steepest section of the trail.


The view after reaching the meadow.  Amazingly, we didn't get any more rain for the remaining 3 miles of the hike.












And in fact, the clouds cleared and the sun came out towards the last 1/2 mile of the trail, allowing another view of shadows crossing the trail in the aspen section.

Thanks for reading, and I hope you enjoyed the photos and the hike.

For those that find these photography-based posts boring and tedious and choose to un-follow the blog...well, sorry, but this is never going to be a painting-only blog.   Photography is a much a passion for me as painting, and I enjoy sharing the photos of these beautiful places I visit with you all.

And thank you again to those who are reading this - you are the best!




Tuesday, June 14, 2011

Plein Air in La Plata Canyon

This morning, I met with fellow Durango pastel painter Jan Goldman, who is a member of the Plein Air Painters of the Four Corners group, as her guest, and we headed up to a private ranch property located along the beautiful La Plata Cyn, for one of the bi-weekly member paint-outs.

Tres Amigos
12x9 inches
pastel on black Strathmore

The property is set far off the road leading up the canyon, so we were afforded unique views of the La Plata mountains, as well as mountain meadows with blooming lupine, aspen stands and scrub oak.  This was an all-day event, with painting in the morning, a wonderful lunch provided by Doris, the sister of the property owner, followed by more afternoon painting and a group critique at the end of the day.  

Tres Amigos was my morning painting, of three aspen in a grassy field.  Scrub oak are the last trees to leaf out in the late spring/summer, and are in their warm yellow-green stage.  These aspen have lots of scarring on the bases of their trunks, resulting in the dark patches on the bark.

 Silvery Lupine in bloom

East of Parrot Peak
8x16 inches
pastel on matboard with Golden pumice ground + black acrylic

After I finished the first painting before lunch, I walked around the property to find a good spot to do this 1:2 format painting, and this was it.  Parrot and Madden Peaks are part of the La Platas and are on the west side of the canyon.  Madden Peak has just a bit of snow remaining, and some transient clouds showed up that of course I had to add.  The dirt road leading to the parking area and ramada can be seen, along with the colorful lupines.  

The day was uneventful, save for a minor mishap in the afternoon when a large hornet or yellow jacket got too close to me and I reacted by jerking my leg...and sent the pastels, which were in my lap, flying out of the box, on the ground, in my lap, and down the seat of the chair.  Thankfully, all were recovered and none damaged.  

In the afternoon, the group reconvened at the ramada and did a critique session.  Having peer critiques of one's work can be invaluable, I think.  A few people suggested I lighten the values on the lupine in the painting above, which I did when I got home.

Here are some of the paintings from the group, with most media (oil, w/c, acrylic, pastel) being represented:





I had a great time, and everyone was very friendly and welcoming, so I'm looking forward to attending more of their paint-outs and hopefully becoming a member.  And thank you again to Jan for allowing me to attend as your guest!

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At the end of the day





Sunday, January 23, 2011

A Prelude to Winter: La Plata Canyon

After working on the sanded black board for yesterday's pastel, I decided to do a piece that I've had in mind for a while now, on the same surface, but in a 1:2 format I've been really wanting to try.  So, I'm sneaking it in between the winter series.

It's based on a photo taken right after one of our early snows, as we were heading out for our Arches trip in October, looking towards La Plata Canyon along Hwy 160.  Fall colors have faded, leaving large patchworks of bare aspen interspersed with stands of evergreen spruce and fir.  The grasses of the meadows leading into the canyon area have turned shades of golden and earthy brown.  The road to La Plata Cyn follows the row of cottonwoods, and one of the handful of ranches off the road can be seen.

Consulting a local map, I believe that one of the distal peaks may be Hesperus Mountain, the tallest of this group in the La Platas.  Hesperus is Latin for "evening star", and it has significance as being one of the four Sacred Mountains to the Navajo people.

A Prelude to Winter:  La Plata Canyon
pastel on black-toned archival board 
10 x 20 inches

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And a photo of the waning gibbous moon, taken earlier this morning, before it passed behind the crest of Smelter Mtn:


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