My camera, however, does capture those ephemeral details, often missed otherwise, especially with a limited dynamic range. When cropped to an unusually close-up view, they become quite visible. And add to my never-ending fascination with them. Whether I'm able to actually capture those details accurately, artistically, in my paintings is a different matter. But, I try.
abstracted cloudscape #13 - cumulus, shadow & light
12x12 inches
Strathmore 500-series paper
This is perhaps one of my favorites to date. Based on a photo taken the day after winter officially began, these clouds were part of a winter storm that produced no rain or snow, but lots of wind and a series of photos that are amongst my favorite taken while down in Bisbee. This crop is a transition between clouds mostly in dark shadow and those in the sun, which I chose to show the range of values. The sun is at its lowest point in the sky, to the south, in mid-afternoon. The small canyon and ranch below was in deep shadow.
abstracted cloudscape #14 - cumulus, luminescing
12x12 inches
Strathmore 500-series paper
12x12 inches
Strathmore 500-series paper
Here is an example of the cloud detail I mentioned in the second paragraph above. It was of a recent photo of a late afternoon cloud from my deck, as I waited for sunset. The location of the sun is clear; it forms a bright, crisp edge along the cloud. It's the inner part of the cloud were things got interesting - clouds within clouds, casting shadows and reflecting light. Blues from the sky superimposed on the colorful purple and pink grays of the cloud vapors, looking almost like a Tiffany lamp. The base holds on to its deep purples and blues.
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